Taking as his starting point notions of space, scale, material and the temporal, Steve Messam’s site-specific installation When The Red Rose in Preston was delivered as part of the wider series of events in September’s Lancashire Encounter programme. Composed of tethered balloons of various sizes affixed to the walls of Surgeons Court and three other sites in Lancashire, the resulting work (and its sister works) serves to highlight this otherwise innocuous space, transforming or redefining the street from thoroughfare to a meeting place and site of meaning-production, and re-defining our function as citizens to what Margaret Morse, in her essay The Body, the Image and the Space-in-Between refers to as the active performers of a work of installation art.
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